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Keith English

In animation the voice artist drives the animation itself.

Imagine the script has a simple “Come on.” That could be said quietly requiring a small, limp hand gesture or it could be a massively strong delivery requiring our character uses head, arms, upper body and even hips to match, creating an much more fun version for the animator and end product.

That said Mary over several movies we have worked together on, has delivered just most most wonderfully rich dialogue EVERY TIME, often driving our characters so much further than I’d wished for, and making us “up” our game.

I cannot recommend her enough and already have her slated for the lead character in a full animated feature which is currently in funding.
Book her and she’ll inject unexpected life into your animation.

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